“Silicon Valley” — Season 5 A Television Review by Liz Warner



HBO’s “Silicon Valley,” created by Mike Judge, John Altschuler, and Dave Krinsky, wrapped up a successful fifth season and has been renewed for a sixth.

Continue reading ““Silicon Valley” — Season 5 A Television Review by Liz Warner”


HBO’s comedy, Silicon Valley, created by Mike Judge, John Altschuler, and Dave Krinsky, still delivers the goods on Sunday nights. Below is my review of Season 5 thus far. SPOILERS through Episode 3.

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“Mr. Robot” A Season 3 Premiere Review by Liz Warner


NYC transit advertising for Mr. Robot Season 3 premiere.

[Spoilers for Mr. Robot through Season 3, episode 2. Read at your own risk.]

USA’s Emmy winner “Mr. Robot” Season 3.0 premiered to generally rave reviews on October 11, 2017.

Primarily because the show’s creator and director, Sam Esmail, had indicated he planned to make the show a bit less dark by adding some “levity” to it, and based on an almost silly seven minute teaser pre-released, I had been worried. Too drastic a tonal change, I feared, would miss key points I expect the show to deliver.

Continue reading ““Mr. Robot” A Season 3 Premiere Review by Liz Warner”

Lords of the Awards: Who’s Up for Emmys in 2017?


It’s that time of year when the Television Academy picks the best from their best of the best on the small screen.

No predictions from me; I’m known to not get a true or false question right until the third try, so I’m sure I wouldn’t know.

Interesting is just how many nominations went to shows on Netflix.   Also noteworthy is the renewed love for Saturday Night Live, ostensibly due to the comedic opportunities provided by our new President.

*This is just a wish list for selected categories.

Best Drama Series:

*Better Call Saul/AMC

The Crown/Netflix

The Handmaid’s Tale/Hulu

House of Cards/Netflix

Stranger Things/Netflix

This Is Us/NBC


Some good picks, but I’d easily choose Better Call Saul for its tight writing, good casting, great character arcs, and overall story.  Noteworthy absences are FX’s The Americans, Showtime’s Homeland, and USA’s Mr. Robot. (Twin Peaks didn’t air enough episodes to qualify.)

Best Comedy Series:



Master of None/Netflix

Modern Family/ABC

*Silicon Valley/HBO

Unbreakable Kimmy Schmidt/Netflix


I have to admit I have not seen Atlanta, but of the others, Silicon Valley is far and away the easy choice here, for it’s tight but wonderfully funny writing, great characters, and farcical look at the tech industry.

Best Actor in a Drama:

Sterling K. Brown/This Is Us

Anthony Hopkins/Westworld

*Bob Odenkirk/Better Call Saul

Matthew Rhys/The Americans

Live Schreiber/Ray Donovan

Kevin Spacey/House of Cards

Milo Ventimiglia/This Is Us

This is another of the categories where any of the nominees is well-deserving, however, Bob Odenkirk delivers dialog so well as a morally challenged lawyer in Better Call Saul.

Best Actress in a Drama:

Viola Davis/How to Get Away with Murder

Claire Foy/The Crown

Elisabeth Moss/The Handmaid’s Tale

Keri Russell/The Americans

Evan Rachel Wood/Westworld

*Robin Wright/House of Cards

Best Actor in a Comedy:

Anthony Anderson/Black-ish

Aziz Ansari/Master of None

Donald Glover/Atlanta

Zach Galifianakis/Baskets

William H. Macy/Shameless

Jeffrey Tambor/Transparent

No real favorite here, even though I haven’t seen Atlanta.  I consider it a snub Silicon Valley’s Thomas Middleditch and T.J. Miller was omitted.

Best Actress in Comedy:

Pamela Adlon/Better Things

Jane Fonda/Grace and Frankie

Allison Janney/Mom

Ellie Kemper/Unbreakable Kimmy Schmidt

*Julia Louis-Dreyfus/Veep

Tracee Ellis Ross/Black-ish

Lily Tomlin/Grace and Frankie

I can’t honestly say any of these are my favorite shows, so I’d just go with Julia Louis-Dreyfus of Veep here.

Best Supporting Actor in Drama:

*Jonathan Banks/Better Call Saul

David Harbour/Stranger Things

Ron Cephas Jones/This Is Us

Michael Kelly/House of Cards

John Lithgow/The Crown

Mandy Patinkin/Homeland

Jeffrey Wright/Westwood

This is an easy pick.  All are good shows, but Jonathan Banks was excellent in Breaking Bad, and even better in Better Call Saul.  That said, this was the year to honor the contribution of Michael McKean, and his omission is nothing short of negligent.

Best Supporting Actress in Drama:

Uzo Aduba/Orange Is the New Black

Millie Bobby Brown/Stranger Things

Ann Dowd/The Handmaid’s Tale

Chrissy Metz/This Is Us

Thandie Newton/Westworld

Samira Wiley/The Handmaid’s Tale

What can I say?  No huge favorites for me in this category.

Best Supporting Actor in Comedy:

Louie Anderson/Baskets

Alec Baldwin/Saturday Night Live

Tituss Burgess/Unbreakable Kimmy Schmidt

Ty Burrell/Modern Family

Tony Hale/Veep

*Matt Walsh/Veep

Here, I have to confess to just liking Veep.

Best Supporting Actress in Comedy:

Vanessa Bayer/Saturday Night Live

*Anna Chlumsky/Veep

Kathryn Hahn/Transparent

Leslie Jones/Saturday Night Live

Judith Light/Transparent

Kate McKinnon/Saturday Night Live

Again, I’ll go with Veep.

Best Limited Series:

Big Little Lies/HBO


Feud: Bette and Joan/FX

Genius/Nat Geo

The Night Of/HBO

Fargo has some great moments, though I confess to liking most anything on Nat Geo.  In full disclosure, I never saw Feud: Bette and Joan.

Best Television Movie:

*Black Mirror, “San Junipero”

Dolly Parton’s Christmas of Many Colors: Circle of Love

The Immortal Life of Henrietta Lacks

Sherlock: The Lying Detective

The Wizard of Lies

Another easy pick.

Best Actor in Limited Series or TV Movie:

Riz Ahmed/The Night Of

Benedict Cumberbatch/Sherlock: The Lying Detective

*Robert DeNiro/The Wizard of Lies

Ewan McGregor/Fargo

Geoffrey Rush/Genius

John Turturro/The Night Of

DeNiro was masterful in this role of Bernie Madoff.

Best Actress in Limited Series or TV Movie:

*Carrie Coon/Fargo

Felicity Huffman/American Crime

Nicole Kidman/Big Little Lies

Jessica Lange/Feud

Susan Sarandon/Feud

Reese Witherspoon/Big Little Lies

True confession, I didn’t see Feud.

Best Supporting Actor in Limited Series or TV Movie:

Bill Camp/The Night Of

Alfred Molina/Feud

Alexander Skarsgard/Big Little Lies

*David Thewlis/Fargo

Stanley Tucci/Feud

Michael Kenneth Williams/The Night Of

Again, with my disclosure of not seeing Feud, I’d easily pick David Thewlis in Fargo.

Best Supporting Actress in Limited Series or TV Movie:

Judy Davis/Feud

Laura Dern/Big Little Lies

Jackie Hoffman/Feud

Regina King/American Crime

Michelle Pfeiffer/The Wizard of Lies

Shailene Woodley/Big Little Lies

No preferences here.

Best Writing for Drama:

Stranger Things, “Chapter One: The Vanishing of WillByers” by The Duffer Brothers

The Americans, “The Soviet Division” by Joel Fields,  Joe Weisenberg

Westworld, “The Bicameral Mind” by Lisa Joy,  Jonathan Nolan

The Handmaid’s Tale, “Offred (Pilot)” by Bruce Miller

The Crown, “Assassins” by Peter Morgan

*Better Call Saul, “Chicanery” by Gordon Smith

All of these are laudible, but Gordon Smith’s episode really delved into the inner mind of Michael McKean’s character, Charles McGill.

Best Writing for Comedy:

Master of None, “Thanksgiving” by Aziz Ansari and Lena Waithe

*Silicon Valley “Success Failure” by Alec Berg

Atlanta, “B.A.N.” by Donald Glover

Atlanta, “Streets on Lock” by Stephen Glover

Veep, “Georgia by Billy Kimball

The scripts in Silicon Valley are exceptional.  It’s again my comedy writing pick this year and I’m sticking to it.

Stay tuned to see who wins.

“Better Call Saul” — Season 3: A Television Review  By Liz Warner


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I’ve previously previewed and reviewed the early episodes of Better Call Saul’s Season Three here and here. The season wrapped Monday night, and lived up to my lofty expectations, but beware: spoilers lay ahead if you have yet to view the dark finale, “Lantern.”

Jimmy [Bob Odenkirk] and Chuck McGill [Michael McKean] are the two characters who understandably advanced most this season.  Jimmy’s document fraud caper from last season catches up with him, and Chuck intends for him to pay for it–specifically, with his hard-earned license to practice law.  As he very well should.

Despite all the social media hate for Chuck (“#F&%@Chuck!” being the clarion call in the Twitterverse), the fact is, what Jimmy did to Chuck was absolutely unconscionable and an intentional and particularly egregious violation of professional ethics. Chuck may have his peccadillos, but he was within his moral right to react as angrily to Jimmy as he did.  And, as is slowly revealed in the occasional flashbacks of the show, Jimmy’s had moral ambiguity since childhood.  You won’t find much Chuck-hate with me, I’m afraid.

But yeah, I get it. Jimmy’s a real charmer. He’s funny. He does sweet things sometimes. Those with sociopathic personality disorders typically do.  Jimmy does manage to show empathy or compassion several times this season, but it’s always falls in the “too little, too late” column after he’s committed a purely selfish and usually despicable act.  Electromagnetic sensitivity aside, Chuck really isn’t wrong, at least about his brother, the man who we shouldn’t forget we will come to know as Saul Goodman.  (And yes, Gene, but that’s another story altogether.)

The disciplinary proceeding by the New Mexico Bar against Jimmy were among the best scenes of the season, with some fairly heartbreaking exchanges between the McGill brothers. Chuck realizes at long last that there is a psychosomatic component to his electromagnetic sensitivity and with this self-awareness, he makes considerable progress in his recovery.

We re-meet Chuck’s ex-wife, Rebecca; a thinner and younger Huile; and the early incarnation of Jimmy’s/Saul’s receptionist, Francesca.  A strength of the writing in this show is the integration of minor characters from “Breaking Bad” into the world of Jimmy McGill and Saul Goodman. Jimmy is suspended from practice for a year. Idle hands, one would be well-advised to remember, are the devil’s workshop.

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Kim Wexler [Rhea Seehorn] is determined to keep her separate practice going nonetheless. Jimmy tries to sell television commercial air time, as Saul Goodman, which he bought prior to his suspension, while picking up trash in his community service gig. He hires the production crew from the local university to help him produce spots for his new TV clients, reminiscent of a kind of “Lone Gunmen” in terms of comedic relief.

Meanwhile, Mike Ehrmantraut [Jonathan Banks] patiently makes progress towards becoming the man we know he becomes in “Breaking Bad.”  His patience is his perennial strength as much as Jimmy’s impulsiveness is his weakness. Madrigal Electrical and Lydia make an appearance to launder not only Fring’s, but Mike’s money.

Screen Shot 2017-04-25 at 11.15.57 PMKim toils away, crossing T’s and dotting I’s, only to get in an automobile accident as a result of being overtired and impaired behind the wheel.  Jimmy feels guilty for overworking her.  Kim seems to bring out bursts of empathy from Jimmy at times, and one can’t help but wonder if at some level, he realizes it is she who brings out the best of him as a human. Recovering from her auto accident, Kim gives up the office, at least for a while.

Oh, and so does Chuck, although it took some work (and bank) on Howard Hamlin’s [Patrick Fabian] part to get him out the HHM door.  Turns out, he ain’t such a bad guy, and by the way, the other “H” is Howard’s father. Why they didn’t just cut a deal to make him “of counsel” after the E&O insurance rate hike was a bit befuddling.  It would’ve gotten him into his own insurance category by curtailing his actual work, allow him to save face by keeping his name on the letterhead, and prevent the necessity of a hefty buyout.  But oh well.


Those space blankets?  It doesn’t appear they did Chuck much good at the end of the day.  But until you see the corpse, everybody’s a star in TV, so maybe all that tinfoil draped around him somehow prevented Chuck from the being burned to smithereens by his fallen lantern.  We’ll have to wait to see.  Or not.

One thing we shouldn’t have to wait to see for very long is an award season packed with nominations and wins for McKean’s positively outstanding portrayal of Chuck McGill.  As he very well should.

Better Call Saul — A Review by Liz Warner (Season 3, Episodes 1-3 Spoilers)


Screen Shot 2017-04-25 at 10.15.39 PMBetter Call Saul’s premiere for season three is now history. The cold open featured Jimmy [Bob Odenkirk] as Gene at the Omaha Cinnabon taking a lunch break. When cops try to chase down a shoplifter, he points to the youth, but after police make the arrest, Gene yells out, “Get a lawyer!” Gene returns to work after lunch and passes out, falling to the floor.

The show then picks up immediately after last season’s finale. Jimmy helps Chuck [Michael McKean] take down his home’s mylar wrapping as they reminisce, but Chuck informs Jimmy he won’t forget what Jimmy did to him and the Mesa Verde documents. Chuck, staying on at his law firm, HHM, reveals the confession tape to Howard and “accidentally” to Ernesto when Ernesto brings him fresh batteries for his tape recorder. Chuck gives him a B’rer Rabbit warning.

Jimmy and Kim [Rhea Seehorn] continue their separate law practices, but Kim has to pick up some of Jimmy’s elder law clients (who know about flowers, including perhaps, lily-of-the-valley?) on top of her Mesa Verde work.  Paige tips Kim off as to what happened with HHM.  Kim starts second-guessing her drafting in a typing/retyping montage. The Air Force captain calls out Jimmy for his Fudge Talbot commercial last season.

Meanwhile, in a long montage, Mike looks for and finds a tracker in the gas cap of his car after he received a note, “DON’T” on his windshield. He gets a replica of the tracker, and programs it to call home. He drains the battery on the original so it emits a low power warning to his spies and places it nearby.  He replaces the original with his own, waiting for the trackers to come take it while he lies in wait, eating nuts.  This, ultimately, will lead him to the Gustavo Fring [Giancarlo Esposito] drug ring. While the screenwriter maxim of “show, don’t tell” was illustrated here, it was also an example of why a little exposition is really okay–the montage was a bit of a challenge to follow.


Screen shot of Mike Ehrmantraut from Season 3 premier “Mabel.”

The show’s been criticized for its glacial pacing, and this season so far hasn’t surprised.  Whether another show could get away with this snail’s pace is uncertain. Here, though, viewers have grown to trust Vince Gilligan and Peter Gould as storytellers.  Also, it’s a prequel and viewers essentially know what happens, making the journey, not the destination, more interesting.

Better Call Saul, a prequel to Breaking Bad, is arguably a better show.  Why? The premise is more tethered to reality.  And, more importantly, the characters are more believable and sympathetic.  Jimmy is a charming and witty conman cum matchbook cover lawyer who looks for the easy way out.  His OCD brother, Chuck, studied diligently for his law degree earning his reputation the hard way, and resents his younger brother.  (Birth order matters here.)  Kim is meticulous and only flirts with thinking outside the box, which is part of her attraction to Jimmy. Crooked ex-cop Mike has the patience and wit to outsmart the best. Howard works at keeping the practice successful, despite personnel problems with neurotic Chuck.

Compare these characters to those on Breaking Bad. Walter White was a long-term high school chemistry teacher who inexplicably had no health insurance, but a pleasant middle class home and SUVs.  His pregnant stay-at-home wife Skyler only sold things on Ebay, despite the family’s financial distress.  They had a disabled teenage son.  Skyler’s childless sister, Marie, stole shoes and had a fetish for the color purple.  Her husband

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Screen shot of Mike and Gus from Season 3, Epsiode 3 “Sunk Costs.”

Hank was an arrogant DEA agent who eventually saw the light regarding Walt, who, after a terminal cancer diagnosis, decided  to “break bad” and start cooking and selling crystal methamphetamine to build a nest egg for his family when he’s gone. He met up with a former student and lost soul, Jesse Pinkman, who had drug connections. They used the skills of Mike, an ex-cop. Eventually, they connected with Fring’s drug ring, with colorful characters, but not very relatable ones.

Breaking Bad was excellent, but even at the onset, it was difficult to like, or be sympathetic to Walt or most of the other characters.  The only ones I ever cared about were Jesse, Mike, and Hank, though these characters weren’t as well developed as they might’ve been.  You know it’s not going to go well for these people, but you stay tuned to watch the train wreck.

Contrast Better Call Saul.  Admittedly, there are many fans who hate Chuck, and in prior seasons, Howard was the subject of viewers’ wrath, but overall, the characters’ faults and transgressions are more credible, even Chuck’s anxiety of electromagnetic spectrum.  They have some pleasing qualities, even Chuck, who is devoted to the legal profession, and Howard, who has shown himself to be charitable at times.  Mike reappears, and we learn a bit of his backstory, which includes the unfortunate death of his cop son, who may or may not have been corrupt.

Personally, I’m in no rush for Jimmy to become Saul or for the Breaking Bad world to re-materialize.  I’ve been down that road already.  In fact, I’d rather see the transition from Saul to Gene, but we’ll likely only get our next glimpse in the premiere to the next season, where the Gene scenes are generally placed.

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Screen shot of Chuck and Jimmy from Season 3, Epsiode 3 “Sunk Costs.”

We know Chuck can’t forget Jimmy’s document tampering. He uses the brotherly psychopathy the McGills are known for to set up Jimmy, knowing Jimmy will break into his house, trash his desk, and threaten to get his taped admission back. In a momentary act of feigned or sincere concern (it’s hard to tell which), Chuck explains he’s called the cops on him for Jimmy’s own good (unlike what Gene did with the kid.) To Chuck, it’s an intervention. To Jimmy, it’s a betrayal, though his sabotage of Chuck last season was nothing less than reprehensible and unforgivable.

Chuck also sets up Jimmy’s friend, Ernesto, proving the rule that nice guys finish last.  He aims to negotiate the terms of Jimmy’s prosecution with the ADA which results in a plea offer that can’t go well and could result, minimally, in ultimately getting Jimmy disbarred.  This could leave Jimmy either practicing law as Saul Goodman without a license to practice altogether, or having him retake the bar exam under a false name.

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Screen shot of Kim and Jimmy from Season 3, Epsiode 3 “Sunk Costs.”

What happens to Kim, who Jimmy truly cares for, remains to be seen, but we don’t see her in the Breaking Bad universe nor have we seen her in the Omaha-Gene milieu (although she originally hails from neighboring Kansas.) Thus far, she’s remained loyal to him, though Jimmy won’t accept her offer for legal help (unlike what Gene recommended to the kid.)

We know what happens to Mike, but there is a good deal about his past that could be interestingly explored in this prequel. The law firm HHM is dependent on Chuck’s not cashing out, so there’s ample room for conflict there in future episodes.

BCS continues its signature style, interestingly now using 3-D printers and drones in the production of the show. The story unravels slowly but surely, with a flair for both drama and comedy.  There are too many show-don’t-tell montages for my taste, but the show’s tightly and intricately written. It’s also exceptionally well cast.  Odenkirk and McKean are particularly award-worthy.

I’ll be aboard this train for the long haul.

It’s Back … Better Call Saul. Scenes from the Los Pollos Hermanos Promotion in NYC.


Better Call Saul, created by Vince Gilligan and Peter Gould, and starring Bob Odenkirk (shown in the promotional poster above), Michael McKean, Jonathan Banks, and Rhea Seehorn, makes its Season 3 premier on AMC on April 10, 2017.


As part of the Season 3 promotion for Better Call Saul, AMC  opened pop-up Los Pollos Hermanos restaurants in several cities, including Albuquerque, Los Angeles, and New York.  This one in downtown New York abutted a parking garage, but was a remarkable facsimile of an actual fast food franchise.  It was only open a few days prior to the premier and attracted fans of both BCS and Breaking Bad.


Many fans lined up for approximately an hour to enter Los Pollos and from time to time, were able to pose for nice pictures.  Here, a fan is photographed with a mysterious man who carried a bag of what appeared to be “crystal blue” methamphetamine.  Could that be Jesse Pinkman (Aaron Paul)?  Could he return in an episode of BCS this season?

A great deal of attention went into making the experience authentic, right down to personnel and props.



It was impossible to not be impressed by the intricate detail the promotional staff went to in recreation, both outside and inside.


You could order, but at the NYC restaurant, you could only get spicy curly fries and a small cup of water in a signature red plastic basket.  While some fans complained about this, the price was right — free.  Given the difficulty in obtaining city food permits, you’d really have to consider yourself lucky.


It may have been “Fuck Chuck” all over Reddit lately, but they’re too quick to forget the utterly unconscionable and unethical act of Jimmy’s towards Chuck last season.  When it was suggested to Micheal McKean at the event that Chuck could get Jimmy disbarred, in perfect character, he replied, “Believe me, I’m trying!”

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Season 3 promises to be interesting!